An 18th Century Polychromed Carved Wood Preaching Buddha, seated and gesturing to the sky with the right arm raised heavenward in a gesture of melancholy and presented seated on an ebonized lotus thrown in full ceremonial robes of red, cream, and black lacquers

A 19th Century Terra Cotta Madonna and Child Wall Plaque

A Colorful Pair of Specimen Marble and Other Semi-Precious Stone Obelisks including lapis lazuli, slate, Siena marble, and other vibrant hardstones

A 19th Century Pair of Hand-Painted Royal Vienna Porcelain Lidded Urns with neoclassical scenes on each side; glazed in magenta, pale pink and multicolored lacquers with 22K gilt accents including Greek key patterns and pictorial neoclassical motifs

A Pair of Bronze and Ormolu 19th Century Table Accessories, one hinged and lidded and both depicting Blackamoors carrying baskets on bamboo stands

An Early 19th Century Inkwell & Bronze Putti Figure on porphyry base

A Set of Twelve Early 20th Century Royal Doulton Dinner Plates, signed by the artist, and with all appropriate marks

A Pair of Solid Lapis Lazuli Italian Vases with ruffled necks and urn shaped bodies accented with bronze banding

A Pair of English 18th Century Iron Borghese Urns, originally from an outdoor English garden in Surrey, retaining some of the original forest green paint and patinated to a subtle gray, both presented on conforming an original iron pedestal bases

An American Art Noveau Candy Dish, from the limited edition Martele hand wrought line introduced by Gorham Silver, Providence, Rhode Island, in 1896 and discontinued in 1930

A Pair of Parcel-Gilt and Polychrome Venetian Candle Stands, the original creme antiquing accented with 22k gilded acanthus leaves and gadrooning, and each topped with “Brocatello di Spagna” marble platforms and raised on tripod legs

A Pair of 19th Century French Bronze Doré Tazzas with Rouge Royale bases, in the neoclassical style and centered with a winged victory medallion inscribed Tandem Victa Sequor, Warin 1630, and commemorating the 17th century dedication to Cardinal Richelieu, depicting a chariot passing by allegorical figures of a trumpeter, champion with sword and a figure with veil puffed out by the wind

An 18th Century Italian Oil on Canvas, a superb unsigned copy of the 17th Century Spanish masterpiece St. Thomas of Villanova Giving Alms by Bartolome Esteban Murillo depicting the Augustinian Salamanca Friar known as Thomas of the Poor, who became Archbishop of Granada and was canonized as a saint on Nov. 1, 1658

A 19th Century Two Tiered Japanese Jubako Boxes decorated in black, gold and red lacquered images of various motifs, including cherry blossoms and pine needles

A Collection of 69 Antique Leatherbound Books by Voltaire, 1785

A Palazzo-Scaled Pair of 18th Century Polychrome and Parcel-Gilt Venetian Blackamoors, in exotic “oriental” skirts and headdresses, one bearing a tray and the other an urn; a blackamoor similar to the male part of this pair was in the collection of Violette de Talleyrand, Duchesse de Sagan and Gaston Palweski until early 2010.

A Small Circular Japanese Papier-Mâché Tray embellished with a single delicate gilt peacock feather against a black lacquered finish

Set of Three 19th Century Italian Cast Iron Borghese Urns

A Late 19th Century Bavarian Silver-Mounted Drinking Horn Centerpiece, the cover crested with a female victory figure, the collar and base featuring a cartand detachable foot chased with scrolls and foliage, the horn lined in silver-gilt

An 18th Century Italian Silver Giltwood and Glass Display Vitrine

An 18th Century Italian Polychrome and Silvered Giltwood and Glass Rococo Vitrine embellished with scrolling acanthus leaf motifs

A Pair of Silver Serving Platters

A Pair of 19th Century Neoclassic Verde Egeo Marble Urns with removable lids

A Palazzo Scaled Pair of Green and Grey Solid Marble Tazza Urns, the bowls with pronounced gadrooning and socle bases

A Pair of 19th Century Italian Solid Marble Neoclassical Urns, the finish hand painted in an exquisite deep burgundy faux porphyry lacquer, each with removable lids and accented with neoclassical handles

A Grandly Scaled 19^th Century Italian Bianca Carrara Cream-Colored Alabaster Tazza with subtle umber striations

A Pair of 18th Century Angouleme Faience Seated Lions, most likely from the Rue de Bondy Manufactory, patronized by the duc d’Angouleme

A Pair of 19th Century Mahogany Regency Fluted Urns with brass-mounted graceful handles

A Magnificent Pair of 18th Century Baroque Giltwood Urns, each standing more than two feet high

A Palazzo-Scaled 17th Century Old Master Oil on Canvas of a Pastoral Scene, unsigned, depicting a shepherd in a mountainous and lush landscape tending to his flock of sheep, horse and cattle

An Early 19th Century Gilded Bronze Rococo Inkwell, with two conforming inkwells

An Unusually Large and Rare English Regency Tortoiseshell Tea Caddy, in the Neoclassical taste, the pagoda cover above a rectangular form, fitted with two compartments, the whole raised on brass lion’s paw feet