A 19th Century Italian Lithograph: Bust of Muse, mounted in a giltwood frame

An 18th Century Italian Oil on Canvas, Scenes of Ships in an Italian Harbor, with buildings and ancient ruins in the foreground mounted in a giltwood frame

An 18th Century English Oil on Canvas, Scenes of an English Landscape, with two noblemen approaching a country inn

A 19th Century English Lithograph, titled: “Gone Away” and inscribed: London, Published July 24,1878

An Exquisite 19th Century Oil on Canvas, “Madonna and Child” mounted in a silver-gilt frame

A 19th Century French Set of Five Architectural Drawings by students of L’Ecole des Beaux Arts now mounted in giltwood frames (sold separately)

A 20th Century Dutch Oil on Canvas, Scenes of a “Dutch Landscape and Windmill”, Signed: Andreas Veldhuysen, a Dutch painter of estuary scenes

A 19th Century American Oil on Canvas, Landscape with Small Waterfall, Signed: Robert Kinkrin Lewis

A 19th Century American Oil on Canvas, Landscape with Mountains and Lake, Signed: E. Schaefer, California Artist residing in San Francisco

An Italian Grisaille Painting of Angelic Winged Putti symbolizing love, victory, and fidelity playing amidst billowing clouds

A 19th Century Set of Five David Robert’s English Prints, with views of Ancient Egypt

A 19th Century French Lithograph, depicting “Vues du Chateau Royal de Maili” Chateau near Versailles indicting the main gate arriving from Paris

An 18th Century Oil on Canvas, Scenes of a French Landscape with peasants and child

A 19th Century American Oil on Canvas

A Pair of 19th Century Italian Louis XVI Architectural Engravings in silver-gilt frames

A 19th Century Oil on Canvas of a European Landscape

A 19th Century Oil on Canvas, River Landscape

A 19th Century Oil on Canvas, Floral Still Life, framed in giltwood

A 19th Century Continental Oil on Canvas, Still Life of Assorted Fruits

A 19th Century French Portrait of a Gentleman with giltwood and gesso frame

A 19th Century Italian Etching of Aqueduct

A Pair of 19th Century Levantine Watercolors of Birds in Lacquer Frames, each depicted standing in profile, within gilt stenciled black lacquer frames

An English Lead Pencil Sketch of Figure Study

The Signed Oil on Canvas, “Oak on a Hill”, by Benigino Yamero Ruiz (b.1880, d.1929), Northern California landscape painter, Exhibited: California Artists, Golden Gate Park, 1915, and influenced by the French Barbizons, using his signature dark palette and favorite subject matter of oak trees, similar to those by William Keith during his late period

A 19th Century American Lake Landscape in Oil

A 19th Century American Oil on Canvas, scenes of a western landscape
Signed: S. Frederick Jared

A Fine 19th Century Oil on Canvas, alpine landscape, signed F. Shafer

“Lazy Day” 19th Century Oil on Canvas by American Impressionist Thomas Bartholomew Griffin, b. 1858, d. 1918, and exhibited in the National Gallery Addl details: Thomas B. Griffin American, 19th Century. Thomas B. Griffin was born in Philadelphia, Pennsylvania during the last half of the nineteenth century. His first formal art education was at the National Academy of Design in New York. While at the Academy, Griffin exhibited his very well executed impressionistic landscapes. In 1896, he listed his address as 340 Fulton Street, Brooklyn, New York. It was during this year that Griffin exhibited “Views from the Catskills (from Haine’s Corners)” and “Hunter Mountain, Catskills,” at the National Academy. Thomas B. Griffin later moved to Baltimore where he opened a studio and established himself as a painter of impressionistic landscapes. Listed: The Dictionary of American Artists, Sculptors and Engravers, by Young Exhibition of the National Academy, 1861-1900, vol.1, pg. 367 Who was Who in American Art Mantle Fielding

One of Twenty-One 18th Century Lithographs of Various Figural Sculptures, sold separately